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1 CD
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€ 19.95
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| Label Challenge Records |
UPC 0608917361629 |
Catalogue number CR 73616 |
Release date 07 November 2025 |
"bold and exceptionally compelling experiments of international caliber: a successful union of jazz and classical music."
Jazzenzo, 15-12-2025For Jakob’s Mirror, composer and saxophonist Robin Verheyen (b. 1983) sought inspiration far from home, retreating to the Albers Foundation in Connecticut to reflect on the life and work of painter Jakob Smits (1855–1928). Smits, who settled in the Belgian Campine and captured its light and landscapes in a personal, timeless style, became a guide for Verheyen’s own exploration of identity, memory, and belonging.
Rather than translating Smits’ canvases literally, Verheyen immersed himself in their atmosphere, while also listening to the music of Smits’ era, including Flemish folk songs—one of which briefly surfaces in the score. Written for the Goeyvaerts String Trio and percussionist Robin Schulkowsky, the work weaves together European harmonic traditions, jazz’s rhythmic vitality, and echoes of Verheyen’s roots in the Campine.
Jakob’s Mirror is both homage and self-portrait: a meditation on landscape, light, and the enduring pull of home.
Für Jakob’s Mirror suchte der Komponist und Saxophonist Robin Verheyen (geb. 1983) Inspiration fernab seiner Heimat und zog sich in die Albers Foundation in Connecticut zurück, um über das Leben und Werk des Malers Jakob Smits (1855–1928) nachzudenken. Smits, der sich in der belgischen Region Kempen niedergelassen hatte und deren Licht und Landschaften in einem persönlichen, zeitlosen Stil einfing, wurde für Verheyen zu einem Wegweiser für seine eigene Erforschung von Identität, Erinnerung und Zugehörigkeit.
Anstatt Smits’ Gemälde wörtlich zu übersetzen, tauchte Verheyen in ihre Atmosphäre ein und hörte sich gleichzeitig die Musik der Zeit Smits’ an, darunter flämische Volkslieder – von denen eines kurz in der Partitur auftaucht. Das für das Goeyvaerts String Trio und den Perkussionisten Robin Schulkowsky komponierte Werk verwebt europäische harmonische Traditionen, die rhythmische Vitalität des Jazz und Anklänge an Verheyens Wurzeln in der Kempenregion.
Jakob’s Mirror ist sowohl Hommage als auch Selbstporträt: eine Meditation über Landschaft, Licht und die anhaltende Anziehungskraft der Heimat.
At 40, Robin Verheyen is considered one of the top European saxophone players and composers having made NYC and the US musician’s community his home. Established here since 2007, he quickly built a reputation as a player and composer. He has worked with jazz greats such as Gary Peacock, Ralph Alessi, Joey Baron and many others.
In 2014 he traveled to Senegal to immerse himself in the local music scene, using the experience towards a long-term process of bringing together West African rhythms with the modernistic harmonies of French composer Olivier Messiaen. This is representative of Verheyen’s cross-genre approach to music, something that has become a mainstay in his oeuvre. In January 2018 Verheyen released When the Birds Leave on Universal Music, with his quartet featuring Marc Copland, Drew Gress and Billy Hart.
More recently Verheyen completed two new commissioned works, one for string quintet and saxophone (partly inspired by a residency at the cultural center Thread in Senegal); and a composition for string trio, piano and saxophone (featuring pianist Marc Copland and the Goeyvaerts String trio) that premièred at the Museum of Fine Arts in Antwerp where Verheyen has been visiting Artist in Residence since 2017.
In 2019 Verheyen released the album MiXMONK on his Universal contract with the co-op trio with Joey Baron and Bram De Looze which was followed by their second album On The Loose (Curatores/L’autre Distribution) in 2022.
In 2021 he released The Bach Riddles, a quartet reworking of Bach’s Musical Offering (WERF Records). In 2023 his solo soprano saxophone album Playing the Room was released and later this year a recording of the commissioned work for the KMSKA will also be published.
The Goeyvaerts String Trio was founded in 1997 with the aim of performing exclusively 20th and 21st century repertoire. The trio takes its name from the Belgian composer Karel Goeyvaerts, who played an important role in developments within European new music. The ensemble not only plays existing works but is also active in commissioning new string trios. The Goeyvaerts String Trio consists of Fedra Coppens (violin), Vincent Hepp (viola), and Pieter Stas (cello).
Their CD featuring string trios by Arnold Schoenberg, Anton Webern, and Alfred Schnittke was released by the renowned international label Challenge Records. This CD received the highest ratings in various magazines and, among other things, a Gold Label from Klassiek Centraal, a nomination for best CD production for the Klara’s, and a recommendation in Gramophone. In 2012, a new CD entitled String Trios from the East was released, featuring trios by Sofia Gubaidulina, Alexander Knaifel, Oleg Paiberdin, and Giya Kancheli. Luister wrote: ‘What the three musicians achieve here in terms of concentration and precision borders on the impossible. The trio then launched Stabat Mater in 2014,
consisting of Arvo Pärt’s Stabat Mater in just intonation and Simeron by Ivan Moody. With the help of more than 500 international investors, the Goeyvaerts String Trio raised £15,000. Muziekcentrum Vlaanderen wrote about the trio: ‘It is well known that they are excellent; that they also achieved this is a testament to their enthusiastic entrepreneurship.’ This CD was showered with superlatives in the press, Editor’s Choice in Gramophone, Luister 10, etc. More recently, this recording was awarded an Edison and the trio was named musician/ensemble of the year by Klara (classical radio station), and the City of Sint-Niklaas also honored the trio with the 2014 Culture Prize.
In February 2016, Whispers of Titans was released, featuring string trios by Nikolaj Korndorf and Henryk Górecki. Their CD with Klang by Wolfgang von Schweinitz was recorded for the Louth Contemporary Music Society in 2020. Charles Wuorinen’s second string trio (2018) is dedicated to the Goeyvaerts String Trio, and its world premiere took place at the Guggenheim in New York. During Stations of the Sun 2019 in Dundalk (Ireland), they performed two world premieres by Linda Catlin Smith and Pascale Criton. In October 2019, they premiered Robin Verheyen’s Blues, Reds and other Songs at AMUZ. Blues, Reds and other Songs was recorded on vinyl together with Marc Copland and Robin Verheyen and released in 2025.
In 2025, a second album was released with music by Robin Verheyen in collaboration with Robyn Schulkowsky based on the works of painter Jakob Smits.
As ensemble-in-residence at the KMSKA, they developed programs around the museum’s renovation and collection, including a project with saxophonist Andrew Claes (STUFF) in which real-time data was used for scores for strings and robots. With the support of their home city of Sint-Niklaas, they curate the annual Passages festival, which brings together local and international talent from different genres.
At 40, Robin Verheyen is considered one of the top European saxophone players and composers having made NYC and the US musician’s community his home. Established here since 2007, he quickly built a reputation as a player and composer. He has worked with jazz greats such as Gary Peacock, Ralph Alessi, Joey Baron and many others.
In 2014 he traveled to Senegal to immerse himself in the local music scene, using the experience towards a long-term process of bringing together West African rhythms with the modernistic harmonies of French composer Olivier Messiaen. This is representative of Verheyen’s cross-genre approach to music, something that has become a mainstay in his oeuvre. In January 2018 Verheyen released When the Birds Leave on Universal Music, with his quartet featuring Marc Copland, Drew Gress and Billy Hart.
More recently Verheyen completed two new commissioned works, one for string quintet and saxophone (partly inspired by a residency at the cultural center Thread in Senegal); and a composition for string trio, piano and saxophone (featuring pianist Marc Copland and the Goeyvaerts String trio) that premièred at the Museum of Fine Arts in Antwerp where Verheyen has been visiting Artist in Residence since 2017.
In 2019 Verheyen released the album MiXMONK on his Universal contract with the co-op trio with Joey Baron and Bram De Looze which was followed by their second album On The Loose (Curatores/L’autre Distribution) in 2022.
In 2021 he released The Bach Riddles, a quartet reworking of Bach’s Musical Offering (WERF Records). In 2023 his solo soprano saxophone album Playing the Room was released and later this year a recording of the commissioned work for the KMSKA will also be published.
bold and exceptionally compelling experiments of international caliber: a successful union of jazz and classical music.
Jazzenzo, 15-12-2025